Blackface Morris dancers defy critics to entertain crowd while still wearing controversial make-up 

Blackface Morris dancers yesterday defied critics to entertain a May Day pub crowd, while still wearing their controversial make-up.

Members of the Britannia Coconut Dancers in Bacup, Lancashire, split from The Joint Morris Organisation, the umbrella group which represents the country’s 800 dancing teams, after being told to stop painting their faces black in 2020. 

The dance body ruled that ‘full face black or other skin tone make-up was a practice that had the potential to cause deep hurt’ and members must stop in response to the Black Lives Matter campaign.

But the group defied instruction and continued to take part in traditional celebrations, appearing in the same costumes and make-up, in front of the Crown Inn on Sunday. 

And despite growing criticism, local ethnic minority charity, Lancashire BME Network, backed the dance troupe and said they had ‘never seen it as a racial thing’ within the context. 

The Coconut Dancers typically wear red tunics, white hats, black jerseys, white stockings, shiny black clogs and paint their faces black, while performing to the public.

While the exact origins of their costume is unclear, it is believed that their uniforms are influenced by the Moorish pirates who settled in Cornwall and soon entered the local mining industry during the 18th and 19th centuries.

The pirates became employed in tin mines, before moving to the coal mines of the North.

The group insist their blackened faces, a reference to the coal mining industry in the town they are based in, was part of a clog-dancing tradition dating back more than 100 years. 

Another theory is that underpaid mill workers would dance to to earn extra income and painted their face black so their employers would not know they were dancing for money. 

Blackface Morris dancers yesterday defied critics to entertain a May Day pub crowd, while still wearing their controversial make-up

Members of the Britannia Coconut Dancers in Bacup, Lancashire, split from The Joint Morris Organisation, the umbrella group which represents the country's 800 dancing teams, after being told to stop painting their faces black last year

Members of the Britannia Coconut Dancers in Bacup, Lancashire, split from The Joint Morris Organisation, the umbrella group which represents the country’s 800 dancing teams, after being told to stop painting their faces black last year

The dance body ruled that 'full face black or other skin tone make-up was a practice that had the potential to cause deep hurt' and members must stop in response to the Black Lives Matter campaign

The dance body ruled that ‘full face black or other skin tone make-up was a practice that had the potential to cause deep hurt’ and members must stop in response to the Black Lives Matter campaign

But the group defied instruction and continued to take part in traditional celebrations in front of the Crown Inn on Sunday

But the group defied instruction and continued to take part in traditional celebrations in front of the Crown Inn on Sunday

How the Britannia Coconut Dancers defend their use of blackface

The Coconut Dancers typically wear red tunics, white hats, black jerseys, white stockings, shiny black clogs and paint their faces black, while performing to the public.

While the exact origins of their costume is unclear, it is believed that their uniforms are influenced by the Moorish pirates who settled in Cornwall and soon entered the local mining industry during the 18th and 19th centuries.

The pirates became employed in tin mines, before moving to the coal mines of the North.

The group insist their blackened faces, a reference to the coal mining industry in the town they are based in, was part of a clog-dancing tradition dating back more than 100 years. 

Another theory is that underpaid mill workers would dance to to earn extra income and painted their face black so their employers would not know they were dancing for money. 

However, another troupe of Morris dancers last year ditched their 500-year-old blackface tradition amid a racism row and have performed for the first time while painted green.

Silurian Border Morrismen had voted to scrap the black face paint for their Boxing Day Tour to avoid causing offence in the wake of the BLM movement.

The group performed their English folk dance routine to crowds of onlookers in Ledbury, Herefordshire, with their faces painted dark green instead.

Silurian foreman Ian Craigan admitted some people ‘feel it is a step too far’ but wants to be ‘on the right side of things’ to help attract new members to the club.

The Britannia Coconut Dancers, also known as the Nutters, describe themselves as unique, with their dance routines involving eight men, each carrying a set of coconuts, which act as props similar to wooden castanets.

While the dancers tap the coconuts together to create a rhythmical percussive sound, another member of the group, known as a ‘whiffler’, accompanies the performance with a whip. 

Every Easter Saturday the group perform a dance in the Lancashire town raising thousands for good causes but were forced to cancel the annual procession due to the coronavirus pandemic.

 In 2014, a beer named after the troupe was banned by the bar in the House of Commons as the image on the pump was deemed offensive.

The troupe has an international fanbase, according to the Times, having performed in Germany, Belgium, Holland, Ireland and Spain.

The Coconut Dancers typically wear red tunics, white hats, black jerseys, white stockings, shiny black clogs and paint their faces black, while performing to the public

The Coconut Dancers typically wear red tunics, white hats, black jerseys, white stockings, shiny black clogs and paint their faces black, while performing to the public

While the exact origins of their costume is unclear, it is believed that their uniforms are influenced by the Moorish pirates who settled in Cornwall and soon entered the local mining industry during the 18th and 19th centuries

While the exact origins of their costume is unclear, it is believed that their uniforms are influenced by the Moorish pirates who settled in Cornwall and soon entered the local mining industry during the 18th and 19th centuries

The pirates became employed in tin mines, before moving to the coal mines of the North

The pirates became employed in tin mines, before moving to the coal mines of the North

Another theory is that underpaid mill workers would dance to to earn extra income and painted their face black so their employers would not know they were dancing for money

Another theory is that underpaid mill workers would dance to to earn extra income and painted their face black so their employers would not know they were dancing for money

The group insist their blackened faces, a reference to the coal mining industry in the town they are based in, was part of a clog-dancing tradition dating back more than 100 years

The group insist their blackened faces, a reference to the coal mining industry in the town they are based in, was part of a clog-dancing tradition dating back more than 100 years

Despite growing criticism, local ethnic minority charity, Lancashire BME Network, backed the dance troupe and said they had 'never seen it as a racial thing' within the context

Despite growing criticism, local ethnic minority charity, Lancashire BME Network, backed the dance troupe and said they had ‘never seen it as a racial thing’ within the context

The Britannia Coconut Dancers, also known as the Nutters, describe themselves as unique, with their dance routines involving eight men, each carrying a set of coconuts, which act as props similar to wooden castanets

The Britannia Coconut Dancers, also known as the Nutters, describe themselves as unique, with their dance routines involving eight men, each carrying a set of coconuts, which act as props similar to wooden castanets

While the dancers tap the coconuts together to create a rhythmical percussive sound, another member of the group, known as a 'whiffler', accompanies the performance with a whip

While the dancers tap the coconuts together to create a rhythmical percussive sound, another member of the group, known as a ‘whiffler’, accompanies the performance with a whip